How American Journalism Sells a Phony Dream to Young Professionals
I’m tunneling these days through Graydon Carter’s memoir, When the Going Was Good. If you blink and skip the title page, you’ll miss that it’s written “with James Fox,” and call me old-fashioned, but it strikes me as peculiar that one of the most celebrated editors of the Condé Nast glory years needed a co-pilot (again, in the …